There were two

It was so good, I had to watch it twice. Recently the trailer for the second Yves Saint Laurent film, coming later this year, has been unveiled. It’s strange, I actually can’t think of a time when two movies covering the same subject matter we’re realised, well at a both at a national level.

The first film was beautiful and romantically shot, even in the scenes of the crazy underworld of parties and clubs, the palette remained muted and elegant. The soundtrack, the same (which has been on repeat since coming home from the second time of seeing it), beautifully matched the sets, locations and costumes which were all incredible. The work of Thomas Hardmeier and Ibrahim Maalouf and their respective teams, just wow.

This film is told through Pierre Berge, Yves’ business and onetime life partner. It’s romantic and sweet, an ode to Yves. For myself, it was a great visual reference and starting point for me to begin research, building my knowledge to understand the story of this designer, which remains superficial at best.

The second film, to be released later this year, it feels more, not commercial, yet commercial, for lack of knowing a better word, in the sense it’s so damn seductive. I’ve only seen the trailer and I’m already bouncing off the walls with excitement. Its more vibrant and carries a much different energy to. It feels a lot, clearer and crisper, lensed by Josee Deshaies. It seems more focused on the peak of his career, rather than the entirety of his career. I can’t wait to see how this will tell that particular part of his story.

 

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