Sarah Moon is a master of photography, or so is titled the video. I’m absolutely blown away by the
(little) work of hers that I have come across. Most of it (what I’ve found anyway) is shot on polaroid, not the integrated shit, but actual peel apart which gives you a positive and a negative. I think I have come to love this the best out of all the photographic mediums I’ve used.
Continue reading “Thought #22”
I’ve never really been one for posey posey pictures. I’m not sure how much they really capture of a person’s personality beyond a pretty smile or some other physical attribute that’s incredibly obvious or just an identity photo. So last monday, I went on a one day portraiture course lead by Owen Harvey, hosted by Ideastap.
Continue reading “Smile and Say Cheese”
Unfortunately, we’d like to apologise for the inconvenience to your reading pleasure. The log is now under maintenance until further.
Nah, I’m just kidding. Though there is some ongoing maintenance, I just wanted to address the new page.
Personal work is where I store all my ongoing projects, mostly photographic.
Check it out.
I read the other day that Fujifilm plan to kill another on of the films I’ve only just discovered in 120 format. Woe is me. However the tribute this movie makes to film, may it live on.
Distractions. That’s all that seems to fill my time of late. The distraction of friends. The distraction of social media. The distractions with my work placement. The distractions of distraction.
This photo was a distraction. It’s the type of distraction I’d like to get back to. I feel as though, we make excuses to help us cope with our lack of focus on the things we want. The things that are important to us, to me. Perhaps there’s a little too much prominence given to the fact we can make these excuses and they’ll make everything ok.
So I suppose with this post, its more of a public declaration that I will only distract myself with things that matter to me.
With that I must say, those projects that have been on simmer out back are starting to brew well and hopefully can be shortly unveiled, I am most excited.
Whilst visiting my cousin in Paris, for a very long weekend relaxing trip, I thought why not try to get in a quick shoot with a style, lifestyle blogger.
Queue Zane of Zane and the City.
After checking his lookbook, there was something instinctively unique about his look and style that I thought, hey why not see if we can make something happen here. So I contacted him and it went from there.
The resulting images from the shoot, to say the least, were quite phenomenal. I’m quite impressed with my first ever shoot done on film, with my love child. Not to say it was all the film, but the rendering of portra 160 was beyond my expectations. Any ways I’d like to say thank you, not only to Zane for his time, style and allowing me to shoot, but also my cousin who played assistant whilst I played photographer. That was some fine reflector/camera bag/film passing you had going on there. Any ways check out his post here.
A couple of weeks back, a friend and I headed up (west, so, left on a map??) to Richmond park to try out the beauty that is 120 medium format film. He was determined and obsessed with the idea of seeing a few deers, I was more fixated on using my new lightmeter. The park is a vast and surreal expanse of land; broken up by the scattering of mounds, hills with clusters of trees (think ‘Where the Wild Things Are’) sparsely dotted about. There was a main road that flowed with slow-moving traffic throughout.
It had just snowed across much of London, giving the park’s open plain paths a beautifully thin blanket of white. The air was thin and quite chilly, the breeze, blisteringly bitter. We were quite high up, think Hampstead park, or Alexandra Palace, only higher, with the same sense of the incredible view peering through the hills and trees out onto London. There wasn’t much in the way of sound, apart from the odd dog’s bark or rush of wind through the trees.
It became clear that these weren’t ideal conditions for using a solid, 2.5kg, heft of metal and glass, and tripod, especially when you have to change a roll film, adding to previous nags about it being a studio camera (blah, the pussies). However the serene expanse of unbroken earth tones and grey-to-white tones viewed, and recorded was definitely not to be missed. An unusual serenity found within a city’s boarders.
Despite the weather, lack of deers, and multiple pedestrians with bewildered looks and questions, it was very enjoyable. Looking back on the pictures brings on the same feeling of zen from the day, coming out of my comfort zone of the neutral red and yellow brick tones and vast expanses of glass and steel that forms my usual environment.